Course journal Essay Example | Topics and Well Written Essays - 250 words

Course journal - Essay ExampleFor every classroom to maintain order, the parties involved must have a ballpark behavioural code. Students can not express themselves freely without rules, and the teachers have to inform the students from the beginning of the class on how they are expected to behave. The teacher should reinforce negatively any behaviour violating the set rules. Students are motivated differently, and the teacher should make sure that the lessons taught respect the interest and goals of each student. When discussing classroom matters both genders should be demonstrate regardless of the topic being taught. When discussing or asking question, the teacher must ensure that each student participates.After focusing on the classroom dynamics and the effects they cause, I have learned that they can be handled through considering the behaviour of the parties involved. After solving the classroom dynamics, students will be able to scan the teaching and the teacher will have an easy time in handling the students. Commitment is the key to success in each subject told in class, and both teacher and students must be

Measuring Productivity Research Paper Example | Topics and Well Written Essays - 250 words

Measuring Productivity - Research Paper ExampleAs Lippi, Mattiuzzi and Plebani (2015) said, nigh of the factors that should be considered when establishing the primary productivity measure for the microbiology unit encompasses the duration of age spent by the staffs on hands on activities that is, for a centrifuging operation, the most essential productivity measure is usually the duration of time taken by a technologist to load and remove the centrifuge, not the spinning time. Other time productivity measurements which are equally important to the process include time of day, the technologist to patient or sample ratio, and the amount of time spent on preparing laboratory machines or conducting their routine maintenance (Langabeer, 2008).One productivity measure for this unit is spending an average of 5 minutes on setting up the machines for use and conducting routine maintenance 4 minutes for preparing each specimen for centrifuging and displaying the deliverables on soft-copy a nd hard copies. This productivity measure will optimize the primary microbiology activities by limiting potential time wastage on setting up the machine, placing the specimen for examination or relaying the results to physicians to facilitate interventions (Yakusheva, Lindrooth, & Weiss, 2014). However, the productivity measure can create the uncaused consequence of impeding quality deliverables, which would otherwise be achieved if the technologists spent slightly longer time to conduct the

Vodafone's Indonesian Expansion Essay Example | Topics and Well Written Essays - 1750 words

Vodafones Indonesian Expansion - Essay ExampleFrom this study it is clear that the MPR consists of two houses the Peoples spokesperson Council (DPR) and the Regional Representative Council (DPD). The DPR is the law making body. The republic of Indonesia largely functions like the government of US with the President holding all executive powers. The 33 provinces have the right to consecrate their own laws within the constitution and since 2001 have been granted greater autonomy in their affairs. Five of them have special rights for such enacting their own independent laws. They argon Aceh, Jakarta, Yogyakarta, Papua, and West Papua. Aceh province has promulgated the Islamic Shariah Law. Jakarta is the capital and the five largest cities are Jakarta, Surabaya, Bandung, Medan and Semarang. Indonesias GDP for 2007 is UD$ 408 Billion and the estimated per capita income is UD$ 1,812. It has a large do sector comprising about 45% of the economy. The industrial sector is a close second at about 45%. The rest is agricultural. Employment is however highest in the agricultural sector at about 44% of the total 95 million working population. The total population is about 206 million. The services sector employs 36% and the industries employ only about 19% population. Among the major industries are petroleum and natural gas, textiles, apparel and mining.

Strategic Management Essay Example | Topics and Well Written Essays - 3500 words - 1

Strategic Management - Essay ExampleA birds eye view on the Australian booze industry, at this juncture, would be appreciable. Wines in Australia though are 200 years old, the industry was sluggish in its initial years. They have now caught pace in New-world countries that they are considered the Hot Trends in the market.Thomas Hardy & Sons wine company, known for its quality wines, was established in Australia in 1853 and was most respected for its culture and genteel values. Berri Renmano Ltd. (BRL), a co-operative and merged entity was known for aggressiveness and commercial success.Hardy group had to incur huge losses after acquiring some French, Tuscan and Italian old wineries. At the same time, BRL was also facing financial hardship, but nevertheless proposed and merged with Hardy which according to the industry analysts was not a corking arrangement. Owing to the financial strength of the BRL team, BRL Hardy had more of BRLs executives at the top notch in the merged entity while the Hardys executives were a bit suppressed. Irrespective of all these happenings, the group was an initial success. After the initial success, there were differences regarding the marketing and distribution of some key brands of the company between Stephen Davies, the convocation Marketing and Export Manager based at the head office at Reynella, Australia and the Managing Director of U.K. management team Christopher Carson. For instance, while Davies was planning to launch a global brand, Carson tried to develop a low price wine brand Dinstinto. This attempt was criticised by Davies citing examples of Carsons failure in alteration of distribution agreement of Caliterra (wine brand) and disappointing launch of brand Mapocho with a Chilean sourcing. Nevertheless, Steve Millar, the Managing Director of the BRL Hardy Company as a whole understood these clarified issues and tactically dealt with both of them. Similarly, the head office was planning to launch Banrock station, a product which was a

ORGANIZATIONAL BEHAVIOR & LEADERSHIP Essay Example | Topics and Well Written Essays - 750 words

ORGANIZATIONAL BEHAVIOR & LEADERSHIP - Essay ExampleThus, for this reason Employee 1 used to guide even in the weekends for receiving the bonus (Podsakoff & Schriesheim, 1985).Coercive power refers to such situation when an employee is forced by managers to abide by the club as a agent of punishment. It may lead to employees dissatisfaction in the job. The marketing manager of Corporation A wanted that entire marketing employees should comply with his orders and work for more hours in a week (Podsakoff & Schriesheim, 1985).Legitimate power means that it is the perception of employees that managers have the capacity to give orders depending on the position. In the marketing department of Corporation A, employees considered that managers had the right to order and encourage them due to his position (Podsakoff & Schriesheim, 1985).Referent power relates to the respect of employees towards managers. In this context, managers direct by citing examples and it exists basically upon trust . In the given scenario of Corporation A, Employee 3 who work in sales department had only 1 year experience in this organization. His personality was liked by each individual for his positive posture and charismatic nature. In one of the meetings, he had suggested a project for sales growth and was appreciated by everyone. Though he had not led aggroup before, the corporation gave him the responsibility to manage the team over the project after receiving admiration from colleagues (Podsakoff & Schriesheim, 1985).Expert power indicates that a particular employee has high skill take aim or specialized knowledge over opposites. Employee 2 is a Certified Public Accountant (CPA) of the corporation. He had only the specialized skill for the formation of pecuniary statements of the corporation. For this reason, he negotiated with the accountant manager to work only four days in a week and manager allowed as there was no other

Cash Flow and Profit Essay Example | Topics and Well Written Essays - 250 words

Cash Flow and Profit - Essay ExampleIn most cases, change flow is much important for small scale business line than moolah. Because of funds flow, a business may run properly. It is that money that is essential in cut and managing a business without it,a firm may be sent out of business.Additionally, cash flow is that money that a firm needs to embrace paying its bills at the end of each month (Rosemary, 2015). Also, it is necessary to have cash flow as opposed to profits. Without cash flow, you may make profits but that would not be good for a company with long term goals. Profits may be good for a company, but cash flow is mostthing that is a must for every business as it puts the company in a position to stand on its own even in times that are hard. A good example of a company that had much cash flow was Amazon (Stever Robbins Inc 2015). Despite making losses for some time, the cash flow available made it possible for the company to run for long enough to start realizing pr ofits.Despite the differences between cash flow and profits, these two items are important to any business. Cash flow ensures that a business can stand on its own and profits put a business in a better position to expand its

Political Theatre Essay Example for Free

governmental sphere EssayModernism came about due to a change in international thinking, with the likes of Darwins organic evolution theory and the publication of Karl Marxs The Communist Manifesto (1848). People wanted a clean break with tradition, presented through the arts as Ro realityticism and realism. Consequently, Modernism an esthetic experiment and immensely complex movement encompassed the majority of the countries in the Western terra firma, after figures in the avant-garde of the movement, such as Zola and Nietzsche, spread out from the gypsy cities of Paris and Vienna, where Modernism stemmed from. Modernism is an Umbrella term, an overwhelmingly complex phenomenon1, including realness, Symbolism and field of operation of the Absurd among others. It as well as began throughout the world at different times forming a number of different strands, such as Germanic and Anglo-American Modernism. It is for this reason that the movement is so difficult to pin d protest to one era. concord to Bradbury and McFarlane, it began in 1880 and ended in the 1930s. However, among other critics, I propose that the period stretches further, much closer to the present day, where we are currently in the period of Post-Modernism.It is legitimate that Modernism began in the 1880s, making a swift transition from Romanticism. It was concerned with a negative consciousness, alienating the audience and creating a sense of dis identify. Yet, this quickly gave bearing to a positive attitude to social advance, seen in Henrik Ibsens plays, highlighting optimism and confidence. Shortly after came the main strand of Modernism, replacing this confidence with a fascination with senseless campaigns, reflected in Strindbergs The Ghost Sonata.The movement juxtaposes a number of unlikely combinations such as The Enlightenment (18th Century) and Romanticism (early 19th Century) rational and irrational thought and the representational and symbolic because of its comp lexity and the range of different styles within it. The central point for Modernism changed at the end of World War I, moving away from France in favour of Central Europe and regenerationary Russia. The change in politics, society and technology called for developments in theatre, the product being Political field of view.However, the term Political Theatre was first used publicly in 1928, before which it had no official term. Political Theatre, like the rest of Modernism posed a number of experimental, and very much controversial ideas. The two main forerunners of Political Theatre were Germans, Erwin Piscator and Bertolt Brecht. Piscator cut back the ball rolling, adapting plays to have a semipolitical edge, while Brecht developed the ideas and formed stronger concepts and theories, writing his proclaim plays with political subject matters.Yet, the practitioners didnt work together in developing the style despite sharing similar beliefs in how theatre should be portrayed, be cause each man wanted to manage himself. Ironically, this situation is echoed in the politics of the time with the Russian and German Revolutions, where despite the parties seizing power in similar manners and setting out from the same causes, they didnt share views in ideology. At the end of World War I Germany was in a state of economical and political ruin. The Weimar state took control of Germany until just before World War II after which Hitler effortlessly seized power.The artists of The Weimar Republic, home of Political Theatre, were anti-Nazi and sought to find policies to suit them elsewhere. As a result, strong allegiances were built with Russia, and many artists of the Modern era migrated there to find jobs. Piscator was a revolutionary Marxist he disliked the Nazis and produced many political plays assail the regime. However, Piscators theatre was subject to party orders and the political issues of the time. Brecht, like Piscator was opposed to Militarism and false N ationalism.He despised Nazism and as a result was exiled for fifteen years, where he wrote some of his most famous work including The Good Person of Szechwan and gravel Courage. Yet, unlike Piscator, he never joined the East German Communist troupe despite following the Marxist regime, which was mainly based in Russia. Two forms of theatre that had been set up in Russia, largely influenced by the works of Meyerhold, set the basis for Piscators Epic theatre of Politics. Agitation Propaganda (Agit-Prop) aimed to stimulate the audience to take political action, through the use of song and short sketches. The other, Mass spectacles, were vast pageants of revolution involving casts of thousands 2. It has been suggested that Piscators Epic theatre was a fusion of these two elements. However, his theatre is not Naturalism. He uses aspects of previous forms, fitting them into Political Theatre. He is more sympathetic towards Naturalism because it shows real people on stage, but claims the problems is that cries of exasperation stand where we should hear answers 3, this being the difference. However, where Piscator scattered the pieces, Brecht was the one to pick them up and create the jigsaw. Brecht drew his own ideas from Piscators, simplifying and customising them.Piscator wanted to create a new form of theatre, one that engulfed the social struggle, where the Proletariat take power from the ruling class, another link with Marxist Russia during World War I (1917). He wanted his audience, preferably the working class, to take a stand as a result of his theatre. Piscator once said more than than ever the theatre must nail its flag fanatically to the mast of politics the politics of the proletariat Theatre is action, the action of the proletariat4 His theatre aimed to depict reality as truthfully and authentically as possible, providing a documentary style reality to the drama.This had repercussions on future Art, because this idea formed the basis for Documentar y Theatre. In order to portray this new theatre, there came a need for a new style of acting, and not only this but a totally different approach to performance. A critic described one of Piscators early productions, Fahnen, as epic, and consequently he built on this idea. Thus the beginnings of Epic Theatre were first defined in his published book, Das Politische Theater in 1929. It is now appreciated that Political and Epic Theatre go hand in hand. However, the real theorizer of Epic Theatre was Brecht.Naturally, he was influenced by Piscator, but used his methods on a much smaller scale. As Willett said The real novelty of Brechts theatre and force of his plays lay in the words which simply could not stand such top-heavy staging5 and therefore focussed his work on die Verfremdungseffekt, a proficiency he created that do the acting strange to the audience. In doing this, Brecht took the sensation out of the production, distanced the audience from the characters, and most import antly made the doers dissociate themselves from their roles.The staging of Political Theatre aimed to enhance the technique and theories of the movement as a whole. It depended on a minimum of scenery and props, following the ideals that the spectacle of the theatre is in the acting and what the actors can portray. Brechts stimulate Courage is a good demonstration of how small greedy entrepreneurs make wars possible. Brecht states this in no uncertain terms in the play What they could do with tour here is a good war. What else can you expect with peace running wild all over the place? You know what the trouble with peace is? No organization. 6 portraying his views on the senselessness of war.The play tells the story of a woman who runs a sustenance wagon during wartime. Set during the Thirty Years War, it acts as a metaphor to any war throughout time. The play shows that people lose sense of their morals during war, through greed of the army sergeants, but also how Courage rema ins set on providing for the war despite losing her two sons, and get her materialistic cut, knowing that big profits are not made by little people7. There are certain attributes in Mother Courage that exemplify Epic Theatre, the most dominant of these being the character label in the play for example the Cook and the Chaplain.Brecht avoided giving characters actual names as this added to his concept of the Verfremdungseffekt, stopping the audience from becoming emotionally attached to the character. By naming Mother Courage the audience is subconsciously forced to empathise with her, sharing a powerless social position 8. Brecht also created the idea of gestus. Here, the actor adopts a socially critical attitude towards his character, communicating with the audience as himself rather than as the play character. A good example in Mother Courage is a performance by Brechts wife, Helen Weigel.When asked to identify her son at the end of scene three, the stage directions instruct Cou rage to shake her head, to show she doesnt choose her son. However, after doing this, Weigel turned to the audience, opening her mouth in a silent scream. This reminded the audience they were spectators at the theatre, another of Brechts aims, but also had more affect on the audience than any real scream could have. It is for this reason that Mother Courage was both a success and ineffectual for Brecht.Audiences always felt some emotion towards Courage, yet the play was well received. Brecht included a number of songs in his play, and the actors would step out of character to perform these, adding to the Verfremdungseffekt. He wanted the music and schoolbook to juxtapose one another, such as when Yvette teaches Kattrin about love in the Fraternization Song. Political Theatre played a key role in the development of Modernism as a whole, Brecht being the most influential character, but was also fundamental in the development of theatre.Remains of Political Theatre can be seen across the Arts today, and the sub-movement has been continued by such political writers as Edward Bond who said that theatre helps us to understand political views, complimenting the work of Brecht and Piscator. Despite being experimental and controversial, Political Theatre is now regarded with great respect and well received. Therefore, Brechts ingenious but contentious ideology came true(p) for him, and the development of Modern Theatre Dont start from the good old things, but the bad new ones.References1. Bradbury, M. and McFarlane, J. Modernism A Guide to European Literature Penguin Books 1991 2. http//www. citycol. com/perfdesn/Piscator. htm Erwin Piscator (1895-1966) 3. Piscator, E. The Political Theatre In http//www. citycol. com/perfdesn/Piscator. htm 4. Piscator, E. In Willett, J. The Theatre of Erwin Piscator Methuen 1978, p. 121 5. Willett, J. The Theatre of Bertolt Brecht Methuen 1959 6. Brecht, B. Bertolt Brecht Plays Vol. 2 (Mother Courage) Methuen 1962